We’re all CIA Assets! Is There Any Escape?

“Of course, the people don’t want war. But after all, it’s the leaders of the country who determine the policy, and it’s always a simple matter to drag the people along whether it’s a democracy, a fascist dictatorship, a parliament, or a communist dictatorship. Voice or no voice, the people can always be brought to the bidding of the leaders. That is easy. All you have to do is tell them they are being attacked, denounce the pacifists for lack of patriotism, and expose the country to greater danger. It works the same way in any country.”  — Hermann Goering, Nazi Reichsmarshall, Luftwaffe-Chief and founder of the Gestapo, at the Nuremberg trials 

By Paul Fitzgerald and Elizabeth Gould

originally published 12/6/2018

The CIA and the 1960s West Coast Music Scene

We had written an article about mind control that included the role of a top-secret CIA research project known as Project MK-ULTRA. MK-ULTRA operated from the early1950s through the1960s by using Americans, (without their consent) as guinea pigs in an illicit research project to alter mental states and brain function. The project remained secret for two decades until 1975 when the Church Committee Hearings revealed the CIA’s illegal activities.

We knew that MK-ULTRA was involved in experiments in sensory deprivation and sexual abuse. But what really got our attention back then was the confirmation that MK-ULTRA had infiltrated the New Age anti-Vietnam War Movement to undermine its legitimacy which included the widespread distribution of psychedelic drugs.

As teenagers growing up in the1960s the San Francisco and Laurel Canyon music scenes and the antiwar movement were synonymous. A new age was dawning and our generation wanted to believe that we could keep war from becoming part of it. What we didn’t know until recently was how much influence military intelligence and the CIA had in forming what we believed was an organic outgrowth of popular sentiment.

The Laurel Canyon Connection      

Before bands such as The Mothers of Invention, The Byrds, The Mamas, and The Papas and The Doors became famous; the songwriters, musicians, and singers who would form those bands flocked from all over North America to Laurel Canyon. What was strange about this sudden migration of musical talent to Laurel Canyon was the absence of a music industry in the area at the time.

What it did have though was Vito Paulekas and the Freaks; a regular feature of the Sunset Boulevard Club scene starting in 1964. Paulekas became well known for supplying a corps of wildly frenzied dancers to stir up interest in the new Laurel Canyon bands and is credited with their early success. Having materialized a musical revolution out of thin air, he has also been credited as the inspiration for the Hippie movement, its fashion, and its free love communal lifestyle.

Paul Fitzgerald & Elizabeth Gould

Paul Fitzgerald and Elizabeth Gould are authors of Invisible History: Afghanistan’s Untold Story, published by City Lights (2009), Crossing Zero The AfPak War at the Turning Point of American Empire, published by City Lights (2011). Their novel The Voice, was published in 2001. Their memoir, The Valediction Three Nights of Desmond  (2021) and The Valediction Resurrection (2022) was published by TrineDay.  For more information visit invisiblehistory , grailwerk and valediction.net

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